Leonard Bernstein

CD Sony Classical 19075850472 (Sony) / EAN 0190758504728

1. First Of All - Leonard Bernstein   :
2. Perhaps The Principal Thing - Leonard Bernstein   :
3. éet Me Start - Leonard Bernstein   :
4. This Is Not Just A Sentimental Anecdote - Leonard Bernstein   :
5. From This Time - Leonard Bernstein   :
6. But How Do We Investigate - Leonard Bernstein   :
7. Now You Can See - Leonard Bernstein   :
8. Universality Is A Big Word - Leonard Bernstein   :
9. Other Linguists - Leonard Bernstein   :
10. I Began By Imagining Myself - Leonard Bernstein   :
11. Well, Then I Thought - Leonard Bernstein   :
12. Let's Make A Simple Analogy - Leonard Bernstein   :
13. Maybe Even A Divine One - Leonard Bernstein   :
14. But Where Do These Notes Come From? - Leonard Bernstein   :
15. This Acoustical Phenomenon - Leonard Bernstein   :
16. All These Upper Notes - Leonard Bernstein   :
17. The First Overtone - Leonard Bernstein   :
18. But More Of That Later - Leonard Bernstein   :
19. But Let's Not Make The Mistake - Leonard Bernstein   :
20. And That's How The Tempered Clavichord - Leonard Bernstein   :
21. Now This Is A Substantive Universal - Leonard Bernstein   :
22. But Let's Be Careful - Leonard Bernstein   :
23. And There Is Always That Blue Note - Leonard Bernstein   :
24. But Even These Twelve Tones - Leonard Bernstein   :
25. I Trust You Realize - Leonard Bernstein   :
26. And Again Comes A Great Leap - Leonard Bernstein   :
27. Now This Means - Leonard Bernstein   :
28. This Is Not To Say That There Were No Drastic Changes - Leonard Bernstein   :
29. But Meanwhile We Are Still In The Golden Age - Leonard Bernstein   :
30. So, We're In The Midst Of A Chromatic Adventure - Leonard Bernstein   :
31. And All By Those Progressions - Leonard Bernstein   :
32. Now, I Must Point Out - Leonard Bernstein   :
33. Do You Realize - Leonard Bernstein   :
34. I. Allegro molto - Leonard Bernstein   :
35. II. Andante - Leonard Bernstein   :
36. III. Menuetto, Allegretto - Leonard Bernstein   :
37. IV. Finale. Allegro assai - Leonard Bernstein   :
38. Every Once In A While - Leonard Bernstein   :
39. Last Week - Leonard Bernstein   :
40. Amen, Says Noam Chomsky - Leonard Bernstein   :
41. I Suppose What Chomsky Is Really After - Leonard Bernstein   :
42. So, Let's Pull Up Our Socks - Leonard Bernstein   :
43. All Right, Let's Try Another One - Leonard Bernstein   :
44. Why Am I Taking Your Time - Leonard Bernstein   :
45. Well Then - Leonard Bernstein   :
46. I Think It Follows - Leonard Bernstein   :
47. But First, What Are These Principles - Leonard Bernstein   :
48. Tranformational Grammar - Leonard Bernstein   :
49. But Now Just Think Of That Sentence - Leonard Bernstein   :
50. Since This Is Not A Linguistics Class - Leonard Bernstein   :
51. Take The Passive Transformation - Leonard Bernstein   :
52. Well, It Hasn't Brought Us There - Leonard Bernstein   :
53. Good - Now Just As Three Notes Are Linked Together - Leonard Bernstein   :
54. Now Let's Go Back - Leonard Bernstein   :
55. Now We Are Ready - Leonard Bernstein   :
56. Now I Wanna Take You - Leonard Bernstein   :
57. Well, Transformation, Deletion, Embedding, Pronominalization - Leonard Bernstein   :
58. I Am Sure I Don't Have To Trouble - Leonard Bernstein   :
59. Here I Go - Leonard Bernstein   :
60. I Have Asked Myself - Leonard Bernstein   :
61. I Became So Fascinated - Leonard Bernstein   :
62. Let's Take One Such Utterance - Leonard Bernstein   :
63. Now Imagine - Leonard Bernstein   :
64. Now Let's See - Leonard Bernstein   :
65. Mozart's G Minor Symphony - Leonard Bernstein   :
66. Now Our Job Is - Leonard Bernstein   :
67. That Introductory Accompaniment - Leonard Bernstein   :
68. What Does This Three-Note Design Mean - Leonard Bernstein   :
69. The Reason I Pick Symmetry - Leonard Bernstein   :
70. Now From Here On - Leonard Bernstein   :
71. And Once Again, We Are Back - Leonard Bernstein   :
72. By Far The Chief Transformational Principle - Leonard Bernstein   :
73. You See, One Of The Great Failings - Leonard Bernstein   :
74. Most People Hearing Mozart's Opening - Leonard Bernstein   :
75. So What Your Ask - Leonard Bernstein   :
76. And If You Are Still Not Convinced - Leonard Bernstein   :
77. These Ambiguities - Leonard Bernstein   :
78. For Instance, In This Same First Movement - Leonard Bernstein   :
79. So All These Syntactic Transformations Of The Same Material - Leonard Bernstein   :
80. He Talks About This Sonnet - Leonard Bernstein   :
81. Because Now It's Time - Leonard Bernstein   :
82. But Now Let's Listen To - Leonard Bernstein   :
83. Listen To The Whole Exposition - Leonard Bernstein   :
84. Development Coming Up - Leonard Bernstein   :
85. The Circle Of Fifths Again - Leonard Bernstein   :
86. And That Was All One Single Sentence - Leonard Bernstein   :
87. The Other Day - Leonard Bernstein   :
88. The First Would Show Us One Meaning - Leonard Bernstein   :
89. Think Of This Famous Passage - Leonard Bernstein   :
90. A Linguist Would Say - Leonard Bernstein   :
91. Well, I Replied, Chomsky Would Say - Leonard Bernstein   :
92. Of Course, That Last Metaphorical Leap - Leonard Bernstein   :
93. Terrific, Said My Blonde Inquisitor - Leonard Bernstein   :
94. In Fact, When You Think Of The Number - Leonard Bernstein   :
95. All Right, First Let's Look Briefly - Leonard Bernstein   :
96. Playing, That's The Word - Leonard Bernstein   :
97. But Does This Stravinskian Game Concept - Leonard Bernstein   :
98. There Are Three Specific Ways - Leonard Bernstein   :
99. Now, Having Defined My Usages Of Metaphor - Leonard Bernstein   :
100. And Here We Are In Trouble - Leonard Bernstein   :
101. Are We Feeling What Beethoven Supposedly Felt - Leonard Bernstein   :
102. We Will Never Know - Leonard Bernstein   :
103. Now, If We Accept This General Idea - Leonard Bernstein   :
104. In Our Last Lecture - Leonard Bernstein   :
105. We All Recognize Antithesis - Leonard Bernstein   :
106. It Can And It Does - Leonard Bernstein   :
107. And Again, As In The Poem - Leonard Bernstein   :
108. In Fact, It Has Been Authoritatively Suggested - Leonard Bernstein   :
109. We Can Expand The Idea - Leonard Bernstein   :
110. What Do You Suppose - Leonard Bernstein   :
111. What' Seriously Striking - Leonard Bernstein   :
112. So Why The Pastorale On This Lecture - Leonard Bernstein   :
113. Let's Begin At The Beginning - Leonard Bernstein   :
114. But What Of The More Obvious Melodic Material - Leonard Bernstein   :
115. But To Develop How - Leonard Bernstein   :
116. Now We Have An Insight - Leonard Bernstein   :
117. But Wait - Leonard Bernstein   :
118. But Why Were Just Those Two Notes Added - Leonard Bernstein   :
119. The Metaphor Arises - Leonard Bernstein   :
120. But In The Ensuing Four Bars - Leonard Bernstein   :
121. But That's Not The Main Event - Leonard Bernstein   :
122. Well, That's The Beginning - Leonard Bernstein   :
123. That's One Of The Questions - Leonard Bernstein   :
124. This Interference Of The Two Frequencies - Leonard Bernstein   :
125. But What Are We To Say - Leonard Bernstein   :
126. It Is To Be Found - Leonard Bernstein   :
127. Now That's One Way Of Looking - Leonard Bernstein   :
128. At This Point - Leonard Bernstein   :
129. Even If You Can Succeed - Leonard Bernstein   :
130. I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo - Leonard Bernstein   :
131. II. Scene am Bach. Andante molto moto - Leonard Bernstein   :
132. III. Lustiges Zusammensein der Landleute. Allegro - Leonard Bernstein   :
133. IV. Gewitter. Sturm. Allegro - Leonard Bernstein   :
134. V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto - Leonard Bernstein   :
135. When I First Wrote Down The Title - Leonard Bernstein   :
136. Part Of The Danger - Leonard Bernstein   :
137. The Idea Of Ambiguity - Leonard Bernstein   :
138. Similarly, In Our Second Lecture - Leonard Bernstein   :
139. Then What's The Magic Secret - Leonard Bernstein   :
140. Enough Of Ambiguity - Leonard Bernstein   :
141. The Irony Of All This - Leonard Bernstein   :
142. But, Mind You - Leonard Bernstein   :
143. Where Music Was Concerned - Leonard Bernstein   :
144. Only Think Of - Leonard Bernstein   :
145. And Chopin Well We Can't Ignore Chopin - Leonard Bernstein   :
146. And Then,In The Same Little Mazurka - Leonard Bernstein   :
147. Foolish Questions - Leonard Bernstein   :
148. Let Me Try To Read You - Leonard Bernstein   :
149. Listen To This - Leonard Bernstein   :
150. They Began To Intermingle - Leonard Bernstein   :
151. The Pivotal Point - Leonard Bernstein   :
152. So There Is A Dramatic Change - Leonard Bernstein   :
153. So It Is After All Not So Surprising - Leonard Bernstein   :
154. Now If You Noticed - Leonard Bernstein   :
155. You See, The Music Is Trying Hard - Leonard Bernstein   :
156. So That Instant In Musical Time - Leonard Bernstein   :
157. Now Romeo Is All Stirred Up - Leonard Bernstein   :
158. 1. Roméo Seul: Tristesse - Bruits de Concerts et de Bal - Grand Fête chez Capulet: Andante malinconico e sostenuto - Leonard Bernstein   :
159. Allegro - Larghetto espressivo - (Instrumental) - Leonard Bernstein   :
160. Allegro - Leonard Bernstein   :
161. Réunion des duex Themes, du Larghetto et de l'Allegro (Instrumental) - Leonard Bernstein   :
162. What A Piece - Leonard Bernstein   :
163. Quite Unconsciously Borrowed - Leonard Bernstein   :
164. My Purpose In All This - Leonard Bernstein   :
165. Is It, Says Wagner - Leonard Bernstein   :
166. Every Diminished Seventh Chord - Leonard Bernstein   :
167. Now The Remarkable Thing Is - Leonard Bernstein   :
168. And This Is What Gives Tristan - Leonard Bernstein   :
169. Prelude And Love-Death (From "Tristan and Isolde") - Leonard Bernstein   :
170. That May Be The Slowest Performance - Leonard Bernstein   :
171. But Ultimately - Leonard Bernstein   :
172. Poetry Has Begun To Show - Leonard Bernstein   :
173. And When Debussy - Leonard Bernstein   :
174. It's Lovely, This Dreaming - Leonard Bernstein   :
175. For Example, Do You Remember - Leonard Bernstein   :
176. In Fact, The Ending Of This Piece - Leonard Bernstein   :
177. Let Me Show You Briefly - Leonard Bernstein   :
178. This New Episode That Proceeds - Leonard Bernstein   :
179. For Instance, Hardly Have We Had Time - Leonard Bernstein   :
180. Because The Scale - Leonard Bernstein   :
181. It's Almost Exactly What Happens - Leonard Bernstein   :
182. Literally Translated - Leonard Bernstein   :
183. But Notice, Too, That The Example - Leonard Bernstein   :
184. Both Works Have Definitive Beginnings - Leonard Bernstein   :
185. Listen As I Play - Leonard Bernstein   :
186. Prélude à l'après-midi d'un faune, L. 86 - Leonard Bernstein   :
187. Some Crazy Modern Music - Leonard Bernstein   :
188. Our Lecture Tonight - Leonard Bernstein   :
189. Rhapsodie espagnole, M. 54: IV. Feria - Leonard Bernstein   :
190. What A Way To Enter The Twentieth Century - Leonard Bernstein   :
191. But 1908, If The Truth To Be Told - Leonard Bernstein   :
192. These Troubling Presentiments - Leonard Bernstein   :
193. So, Now In 1908 - Leonard Bernstein   :
194. This Is Atonality - Leonard Bernstein   :
195. A Charming Idea - Leonard Bernstein   :
196. The Unanswered Question - Leonard Bernstein   :
197. I That Luminous Final Triad - Leonard Bernstein   :
198. I Have Recently Been Reading - Leonard Bernstein   :
199. We Have Already Referred to Some Of Those - Leonard Bernstein   :
200. In Any Case - Leonard Bernstein   :
201. But For All These Reasons - Leonard Bernstein   :
202. Son Of Tristan - Leonard Bernstein   :
203. Now You Look At Those First Two Bars - Leonard Bernstein   :
204. Of Course, There Are Lots - Leonard Bernstein   :
205. It's As Though A New Covenant - Leonard Bernstein   :
206. Trouble Is, That The New Musical Rules - Leonard Bernstein   :
207. The Kind Of Tonal Feeling - Leonard Bernstein   :
208. Of Course, There Are Those Who Say - Leonard Bernstein   :
209. It Seems Somehow Inevitable - Leonard Bernstein   :
210. Is There Possibly The Beginning - Leonard Bernstein   :
211. And What About Beethoven's Nineth - Leonard Bernstein   :
212. These Are Some Of The Problems - Leonard Bernstein   :
213. Now Let's Jump Ahead - Leonard Bernstein   :
214. Let's Put It Another Way - Leonard Bernstein   :
215. First Of All, Berg Chose A Tone Row - Leonard Bernstein   :
216. So, All In All - Leonard Bernstein   :
217. Berg: Violin Concerto (Excerpt) - Leonard Bernstein   :
218. Fantastic - Leonard Bernstein   :
219. It Comes At A Point - Leonard Bernstein   :
220. Berg: Violin Concerto: II. Allegro, ma sempre rubato - - Leonard Bernstein   :
221. If This Particularly Demanding Lecture - Leonard Bernstein   :
222. If You Really Have Been Thinking - Leonard Bernstein   :
223. But While Restudying This Work - Leonard Bernstein   :
224. The Twentieth Century - Leonard Bernstein   :
225. What Do You Do If You Know All This - Leonard Bernstein   :
226. It's Very Strange, How The Pieces - Leonard Bernstein   :
227. What Exactly Was This News - Leonard Bernstein   :
228. We Emerge From A Cinema - Leonard Bernstein   :
229. As You Listen To This Finale - Leonard Bernstein   :
230. This Is Mahler - Leonard Bernstein   :
231. Symphony No. 9 In D Major: IV. Adagio. Sehr langsam und noch zurückhaltend - Leonard Bernstein   :
232. I Know What Your Are Thinking - Leonard Bernstein   :
233. What About This - Leonard Bernstein   :
234. I Am Plaguing You With This Question - Leonard Bernstein   :
235. Of Course What He Is Really Talking About - Leonard Bernstein   :
236. But It Was Precisely - Leonard Bernstein   :
237. Now I Have Just Used Two Words - Leonard Bernstein   :
238. In Fact, It Was Satie, Picasso, And Cocteau - Leonard Bernstein   :
239. But Our Scene - Leonard Bernstein   :
240. Even In The Most - Leonard Bernstein   :
241. For Our Purposes - Leonard Bernstein   :
242. Musicologists Are Always Pointing - Leonard Bernstein   :
243. But Bitonality Does Not Only Serve - Leonard Bernstein   :
244. Of Course, Polytonality Can And Does - Leonard Bernstein   :
245. Now What's Going On - Leonard Bernstein   :
246. And While You Are In That Record Shop - Leonard Bernstein   :
247. Of Course, These Asymmetries - Leonard Bernstein   :
248. Brutal It May Be - Leonard Bernstein   :
249. Now, Remember - Leonard Bernstein   :
250. These Are Two Sets - Leonard Bernstein   :
251. Just Cast An Eye - Leonard Bernstein   :
252. Now That Page Of Music - Leonard Bernstein   :
253. But The Most Striking Semantic Effect - Leonard Bernstein   :
254. This New Aesthetic Relaxation - Leonard Bernstein   :
255. Even Some Germans - Leonard Bernstein   :
256. You Can See How The Transformation - Leonard Bernstein   :
257. Chomsky Himself Gives A Classic Example - Leonard Bernstein   :
258. Very Important, The Ironic Element - Leonard Bernstein   :
259. So, It Would Seem - Leonard Bernstein   :
260. But This Neoclassic Approach - Leonard Bernstein   :
261. I Think This Is Again A Moment - Leonard Bernstein   :
262. It's The Essence - Leonard Bernstein   :
263. If This Poem Were Rewritten - Leonard Bernstein   :
264. Why Have I Digressed - Leonard Bernstein   :
265. Now Can You Understand - Leonard Bernstein   :
266. Untermeyer Called This - Leonard Bernstein   :
267. Of Course, With The Waste Land - Leonard Bernstein   :
268. But The Thing Of It All Is - Leonard Bernstein   :
269. We Are Going To Hear - Leonard Bernstein   :
270. One Has Only Learnt To Get - Leonard Bernstein   :
271. Now I Propose Only Because - Leonard Bernstein   :
272. This Union Is Possible Only Because - Leonard Bernstein   :
273. But What Has All This To Do With Stravinsky - Leonard Bernstein   :
274. And This Is The Essence - Leonard Bernstein   :
275. Here Is A Joke - Leonard Bernstein   :
276. Chilling, Shattering, Neoclassic - Leonard Bernstein   :
277. Stravinsky's Own Aesthetic Pronouncements - Leonard Bernstein   :
278. But Of Course He Was Forced - Leonard Bernstein   :
279. And Now We Are Finally Ready - Leonard Bernstein   :
280. And Then Mozart Appears - Leonard Bernstein   :
281. But This Eclecticism Knows No Bounds - Leonard Bernstein   :
282. Now All This I Had Planned To Tell You - Leonard Bernstein   :
283. You Think That's Funny - Leonard Bernstein   :
284. How About That - Leonard Bernstein   :
285. Then Came The Answer - Leonard Bernstein   :
286. But Why This Particular Misalliance - Leonard Bernstein   :
287. My Words Are Poor - Leonard Bernstein   :
288. Prologue: "Your Are About To Hear A Latin Version Of Oedipus the King - Leonard Bernstein   :
289. Act I: "Caedit nos pestis" - Leonard Bernstein   :
290. Act I: "Liberi vos liberabo" - Leonard Bernstein   :
291. Act I: "This is Creon, Brother-In-Law of Oedipus - Leonard Bernstein   :
292. Act I: "Respondit Deus" - Leonard Bernstein   :
293. Act I:" Oedipus Questions The Fountain Of Truth - Leonard Bernstein   :
294. Act I: "Dicere non possum" - Leonard Bernstein   :
295. Act I: "Gloria!" - Leonard Bernstein   :
296. Act II: The Dispute Of The Princess Attracts The Attention Of Jocasta - Leonard Bernstein   :
297. Act II: "Nonn'erubescite, reges" - Leonard Bernstein   :
298. Act II: "Ne probentur oracula" - Leonard Bernstein   :
299. Act II: "Ego senem cecici" - Leonard Bernstein   :
300. Act II: The Witness To The Murder Comes Out Of The Shadow - Leonard Bernstein   :
301. Act II "Adest omniscius pastor" - Leonard Bernstein   :
302. Act II: "Nonne monstru rescituri" - Leonard Bernstein   :
303. Act II: And Now You Are Goin To Hear That Famous Monolog - Leonard Bernstein   :
304. Act II: "Divum locastae caput mortuum!" - Leonard Bernstein   :
305. Act II: "Ecce! Regem Oedipoda" - Leonard Bernstein   :
306. Va-le-di-co - Leonard Bernstein   :
307. During That Decade - Leonard Bernstein   :
308. It Was At This Point That I Wrote - Leonard Bernstein   :
309. What Interests Me About It - Leonard Bernstein   :
310. Is it Possible - Leonard Bernstein   :
311. It's As ToughIn The Period - Leonard Bernstein   :
312. And I Believe - Leonard Bernstein   :